His figures are like exposed nerves: writhing, throbbing, burning, keening, wailing, cursing. Alonso González de Berruguete was a Spanish painter, sculptor and architect.
The exhibition “Alonso Berruguete: First Sculptor of Renaissance Spain” introduces Americans to Berruguete, whose iconic status in Spain hasn’t quite reached the rest of the world. The emaciated anatomy is dislocated; the stance is unstable, in defiance of the logic of gravity; and the tortured draperies seem glued to the forms.
Berruguete discovered his own style in the mid-1520s. His work shows his strong character and contains images of great dramatic power with an intense spirituality and drama, but … Alonso Berruguete: First Sculptor of Renaissance Spain The National Gallery of Art hosts the first major exhibition held outside Spain to celebrate the expressive art of the most important sculptor active on the Iberian Peninsula during the first half of the 16th century, Alonso Berruguete.
He is considered to be the most important sculptor of the Spanish Renaissance, and is known for his emotive sculptures depicting religious ecstasy or torment. Alonso Berruguete’s Artwork Marked A Cultural Tipping Point In Renaissance Spain Berruguete took what he learned in Italy and combined it with … He travelled to Italy to study the latest artistic trends, and there became acquainted with the work of Michelangelo, Donatello, Leonardo, Sansovino and Lippi.
Alonso Berruguete, (born c. 1488, Paredes de Nava, Castile [now in Palencia, Spain]—died 1561, Toledo, Castile), the most important Spanish sculptor of the Renaissance, known for his intensely emotional Mannerist sculptures of figures portrayed in spiritual torment or in transports of religious ecstasy. Alonso González de Berruguete (Alonso Berruguete) (c. 1488 – 1561) was a Spanish painter, sculptor and architect. The son of the famous painter Pedro Berruguete, he was born in Paredes de Nava (Palencia) and died in Toledo in 1561. Alonso Berruguete. It provoked impassioned discussion, since expression was more important to him than formal considerations. As the first Spanish artist with a recognisable corpus of drawings, Berruguete was indebted to his experience in Italy, where he worked from around 1506 until 1518, primarily as a painter. Alonso Berruguete.
Embodying the ideas that flourished in Renaissance Italy, Alonso Berruguete became a sort of Iberian Michelangelo. During his time there he could not fail to appreciate how Italian artists treated drawing as an indispensable tool of planning.